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UID:20231116T0055Z-1700096133.8287-EO-61581-18@10.19.146.15
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CREATED:20231107T004201Z
LAST-MODIFIED:20231206T201515Z
DTSTART;TZID=America/Vancouver:20231125T110000
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SUMMARY: Lament of the Ages: Memory\, Voice\, and Experience with the Dotār
 is of Torbat-e Jām
DESCRIPTION: The event recording is now available: The Alireza Ahmadian Lec
 ture in Iranian and Persianate Studies presents: Lament of the Ages: Memory
 \, Voice\, and Experience with the Dotāris of Torbat-e Jām on November 25\,
  2023. Poems are performed to music and understood as part of the spiritual
  practice of the Mojaddedi Naqshbandi Sufi order in Torbat-e […]
X-ALT-DESC;FMTTYPE=text/html: <p><img class="alignleft size-full wp-image-6
 1717" src="https://asia.cms.arts.ubc.ca/wp-content/uploads/sites/18/2023/11
 /Lament-V3_A4-POSTER.png" alt="" width="7147" height="10108" /></p><p>The e
 vent recording is now available:</p><p>https://youtu.be/msrTVFUxMTI?si=wAjS
 yEbsmp39-Moq</p><p>The Alireza Ahmadian Lecture in Iranian and Persianate S
 tudies presents: Lament of the Ages: Memory\, Voice\, and Experience with t
 he Dotāris of Torbat-e Jām on November 25\, 2023.</p><p>Poems are performed
  to music and understood as part of the spiritual practice of the Mojaddedi
  Naqshbandi Sufi order in Torbat-e Jām\, Iran. The practice of the <i>dotār
 is</i> of Torbat defies the modern notion that poetic texts can be separate
 d from the matrix uniting poet\, singer\, and audience in a performance whe
 re <i>poem</i> (as aesthetic artefact)\, <i>music</i> (as the unfolding of 
 a structure in time)\, and <i>ethics</i> (as the “I” facing a “you” in devo
 tion) become an indivisible whole. Recent scholarship has shed light on the
  institutionalisation of Persian literature in the twentieth century and th
 e efforts to mould Persian into emergent narratives of nation and identity.
  The practice of the <i>dotāris</i> resists co-option to such a discourse: 
 it cannot be understood unless we historicise certain ideas that have becom
 e axiomatic. By exploring the role of voice\, memory\, and experience in th
 e iconic piece Navā’i\, this talk seeks to understand the conceptual founda
 tions of <i>dotāri</i> performance and thereby account for a practice whose
  origin extends beyond the ruptures of modernity.</p><h3>Speaker</h3><p><st
 rong><span class="TextRun SCXW193345187 BCX9" lang="EN-US" xml:lang="EN-US"
  data-contrast="auto"><span class="NormalTextRun SCXW193345187 BCX9">Marie 
 Huber</span></span></strong> is an <span class="TextRun SCXW5036208 BCX9" l
 ang="EN-US" xml:lang="EN-US" data-contrast="auto"><span class="NormalTextRu
 n SCXW5036208 BCX9">Assistant Professor of Persian and Comparative Literatu
 re</span></span> at Stanford University. <span style="font-weight: 400\;">H
 er research focuses on Persian poetry and poetic performance\, as well as t
 he “marginal modernity” of Iranian New Wave filmmakers such as Fereydoun Ra
 hnema\, Parviz Kimiavi\, and Nasser Taghvaei. She has recently published an
  article on Kimiavi titled\, “</span><i><span style="font-weight: 400\;">Th
 e Stone Garden</span></i><span style="font-weight: 400\;">: Meditations on 
 History\, Experience\, and the Nature of the Mystical” (Dibur)\, and she is
  the author of </span><i><span style="font-weight: 400\;">Memories of an Im
 possible Future: Mehdi Akhavān Sāles and the Poetics of Time</span></i><spa
 n style="font-weight: 400\;"> (Brill\, 2016). She is currently developing a
  diachronic analysis of performativity in Persian poetry along with a new b
 ook\, provisionally titled\, </span><i><span style="font-weight: 400\;">Inf
 inite Events: Poetry\, Music\, and Spiritual Practice in the Shadow of Shey
 kh Ahmad-e Jām</span></i><span style="font-weight: 400\;">.</span></p><h3>D
 iscussant</h3><p><strong>Domenico Ingenito</strong> is Associate Professor 
 of Iranian Studies and premodern Persian Literature at the University of Ca
 lifornia\, Los Angeles\, Bahari Fellow in the Persian Arts of the Book (Bod
 leian Libraries\, University of Oxford)\, core faculty member of the Pourda
 voud Center for the Study of the Iranian World\, and former director of the
  UCLA Program on Central Asia (2016-2021). His research interests center on
  ancient and medieval Iran\, Persian poetry\, visual culture of Iran and Ce
 ntral Asia\, gender and translations studies\, and premodern manuscript cul
 ture.</p><p><strong>Registration required. Register here: <a href="https://
 ubc.zoom.us/webinar/register/WN_4ZffuQcOQiuTsp26R8ekGA">https://ubc.zoom.us
 /webinar/register/WN_4ZffuQcOQiuTsp26R8ekGA</a></strong></p><div><hr /><h5>
 About the Alireza Ahmadian Lectures in Iranian and Persianate Studies: Alir
 eza Ahmadian (1981 – 2019) was an enthusiastic researcher\, a consummate so
 cio-political analyst\, and an opinion leader on foreign policy who nurture
 d the virtues of diplomatic dialogue and liberal democracy. Alireza was a p
 roud and devoted UBC alumnus\, supporter of UBC’s Department of Asian Studi
 es\, and beloved member of Canadian-Iranian Community. The department renam
 ed this lecture series in his honour in 2019. Alireza’s friends in the comm
 unity have provided funding to support this series\, and this generous gift
  will see these important academic and community engagement events supporte
 d through to the end of the 2025/2026 academic year. <a href="https://asia.
 ubc.ca/lecture-series/alireza-ahmadian-lectures/">Read More ...</a></h5><h5
 >Should you have any questions\, please contact the Department of Asian Stu
 dies at <a href="mailto:Asian.Studies@ubc.ca">Asian.Studies@ubc.ca</a>.</h5
 ></div>
CATEGORIES:Featured Persian
LOCATION:Online Event
GEO:0.000000;0.000000
URL;VALUE=URI:https://asia.ubc.ca/events/event/lament-of-the-ages-memory-vo
 ice-and-experience-with-the-dotaris-of-torbat-e-jam/
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DTSTART:20231105T090000
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