Pian jing: Wan ming zhong guo de jiang hu pian shu yu fang pian gu shi ji edited by Christopher Rea and Bruce Rusk (2025)

Pian jing: Wan ming zhong guo de jiang hu pian shu yu fang pian gu shi ji edited by Christopher Rea and Bruce Rusk (2025)

Lecturer in Modern Chinese Literature and Cinema 2025

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Application deadline: August 04, 2025

Date of posting: July 3, 2025

 


University of British Columbia

Lecturer in Modern Chinese Literature and Cinema

The Department of Asian Studies at the University of British Columbia (Vancouver campus) is accepting applications for the position of Lecturer in Modern Chinese Literature and Cinema, commencing Sept. 1, 2026.

This is a full‐time position for a term of up to five years, which includes a probationary first year. Lecturer positions are appointments without review (i.e., non‐tenure track), renewable for successive terms, subject to availability of funds and demonstration of excellence in teaching and service, in accordance with the Collective Agreement between UBC and the UBC Faculty Association.

A full-time Lecturer in the Faculty of Arts is responsible for 24 teaching credits (i.e., eight 3-credit courses) annually, typically with a 3‐3 load in the Winter sessions and 2 courses or one intensive 6-credit course in one of the Summer sessions. The successful candidate will teach undergraduate courses in modern Chinese literature, culture, and cinema, primarily in English (ASIA-prefix or ASIX-prefix content-based courses), and in Chinese (CHIN-prefix advanced language courses) as needed. The workload for this position also includes service assignments.

Requirements include: A PhD in Chinese Literature, Chinese Cinema, or a related field (ABD candidates must expect to have successfully defended the dissertation before Sept. 1, 2026); full professional fluency in Mandarin Chinese and English; extensive teaching experience in related fields at the college/university level in North America; and commitment to teamwork and service. Desirable qualifications include demonstrated interest and experience in technology-based instruction and curriculum development.

The successful candidate will be expected to maintain an excellent record of teaching, active engagement in professional development and team-based curriculum design/development of teaching materials, perform instructional responsibilities in coordination with other instructors, as well as fully participate in program affairs and service.

The expected pay range for this position is $6,867 – $8,583/month. Salary will be commensurate with qualifications and experience. This position is subject to final budgetary approval.

The application dossier should include: application letter; curriculum vitae; statement of teaching philosophy; sample undergraduate course syllabi for one content-based (ASIA) course on modern Chinese literature, culture, or cinema and one advanced language (CHIN) course; evidence of teaching effectiveness; a one-page statement about your experience working with a diverse student body and your contributions or potential contributions to creating/advancing a culture of equity and inclusion; the contact information for three confidential referees; and a link to one sample teaching video, uploaded to YouTube (or equivalent platform) as an unlisted video.

 

All application materials should be submitted online at https://asia.ubc.ca/about/job-opportunities/. The deadline for receipt of application materials is August 4, 2025.

Equity and diversity are essential to academic excellence. An open and diverse community fosters the inclusion of voices that have been underrepresented or discouraged. We encourage applications from members of groups that have been marginalized on any grounds enumerated under the B.C. Human Rights Code, including sex, sexual orientation, gender identity or expression, racialization, disability, political belief, religion, marital or family status, age, and/or status as a First Nation, Métis, Inuit, or Indigenous person. All qualified candidates are encouraged to apply; however, Canadians and permanent residents will be given priority.

 

For information about the Department, please visit https://asia.ubc.ca .

More Swindles from the Late Ming: Sex, Scams, and Sorcery translated by Christopher Rea and Bruce Rusk (2024)

Publication title: More Swindles from the Late Ming: Sex, Scams, and Sorcery

Publication year: 2024

Author: Translated by Christopher Rea and Bruce Rusk

About the book

A woman seduces her landlord to extort the family farm. Gamblers recruit a wily prostitute to get a rich young man back in the game. Silver counterfeiters wreak havoc for traveling merchants. A wealthy widow is drugged and robbed by a lodger posing as a well-to-do student. Vengeful judges and corrupt clerks pervert the course of justice. Cunning soothsayers spur on a plot to overthrow the emperor. Yet good sometimes triumphs, as when amateur sleuths track down a crew of homicidal boatmen or a cold-case murder is exposed by a frog. These are just a few of the tales of crime and depravity appearing in More Swindles from the Late Ming, a book that offers a panorama of vice—and words of warning—from one seventeenth-century writer.

This companion volume to The Book of Swindles: Selections from a Late Ming Collection presents sensational stories of scams that range from the ingenious to the absurd to the lurid, many featuring sorcery, sex, and extreme violence. Together, the two volumes represent the first complete translation into any language of a landmark Chinese anthology, making an essential contribution to the global literature of trickery and fraud. An introduction explores the geography of grift, the role of sex and family relations, and the portrayal of Buddhist clergy and others claiming supernatural powers. Opening a window onto the colorful world of crime and deception in late imperial China, this book testifies to the enduring popularity of stories about scoundrels and their schemes.

Hyakunin’shu: Reading the Hundred Poets in Late Edo Japan by Joshua S. Mostow (2024)

Publication title: Hyakunin’shu: Reading the Hundred Poets in Late Edo Japan

Publication year: 2024

Author: Joshua S. Mostow

About the book

Hyakunin’shu: Reading the Hundred Poets in Late Edo Japan explores the “popular literary literacy” of the Japanese at the edge of modernity. By reproducing and translating a well-known annotated and illustrated Ansei-era (1854–1859) edition of the Hyakunin isshu—for hundreds of years the most basic and best-known waka primer in the entire Japanese literary canon—Joshua Mostow reveals how commoners of the time made sense of the collection. Thanks to the popularization of the poems in the early modern period and the advent of commercial publishing, the Hyakunin’shu (as it was commonly called) was no longer the exclusive intellectual property of the upper classes but part of a poetic heritage shared by all literate Japanese.

Mostow traces the Hyakunin’shu’s history from the first published collections in the early sixteenth century and printed commentaries of formerly esoteric and secret exegesis to later editions that include imagined portraits of the poets and, ultimately, pictures of the “heart”—pictorializations of the meaning of the poems themselves. His study illuminates the importance of “variant One Hundred Poets,” such as the Warrior One Hundred Poets, in popularizing the collection and the work’s strong association with feminine education from the early eighteenth century onward. The National Learning (Kokugaku) movement pursued a philological analysis of the poems, leading to translations of the Hyakunin’shu into contemporary, vernacular, spoken Japanese. The poems eventually served as the basis of a card game that became a staple of New Year festivities.

This volume presents some innovations in translating premodern Japanese poetry: in the Introduction, Mostow considers the Hyakunin’shu’s reception during the Edo, when male homoerotic relationships were taken for granted, and makes the case for his translating the love poems in a non-heteronormative way. In addition, the translated poems are lineated to give readers a sense of the original edition’s chirashi-gaki, or “scattered writing,” allowing them to see how each poem’s sematic elements are distributed on the page.

Migration and the Politics of Methodology co-edited by Ayaka Yoshimizu (2025)

Publication title: Migration and the Politics of Methodology: Doing Fieldwork, Decentring Power, and Foregrounding Migrants’ Perspectives

Publication year: 2025

Author: Co-edited by Ayaka Yoshimizu, Kirsten Emiko McAllister, and Daniel Ahadi

About the book

This volume examines the politics of fieldwork and the challenges of researching migrants constructed as outsiders both nationally and transnationally. Based on research with undocumented migrants, temporary workers, refugees, international students, and those who, having received citizenship status find their lives to be discursively and legally restricted, it shows how interdisciplinary fieldwork-based approaches can provide detailed accounts of migrants’ voices and their conditions of existence, offering insights into the ways in which they understand and take part in producing their transnational worlds. Applying critical, self-reflexive methodological approaches that challenge assumptions about who has the authority to produce knowledge and what types of knowledge have the authority of truth, Migration and the Politics of Methodology will appeal to scholars of sociology, anthropology, geography, and communication and cultural studies with interests in research methods and migration.

Chinatown, co-translated by Bruce Fulton and Ju-Chan Fulton (2025)

Publication title: Chinatown

Publication year: 2025

Author: Translated by Bruce and Ju-chan Fulton

About the book

In this emblematic selection of her stories, Oh Jung-hee probes beneath the surface of seemingly quotidian lives to expose nightmarish family configurations warped by desertion, psychosis, and death. In ‘Chinatown’ a young girl living on the edge of the city’s Chinese community comes of age among mundane violences, collisions with adult sexuality and the American occupation; in ‘The Garden Party’ a woman grapples with her conflicting identities of wife, mother and writer at an alcohol-fuelled gathering.

Throughout a career spanning six decades, Oh Jung-hee has drawn comparisons to Alice Munro, Virginia Woolf, and Joyce Carol Oates, and is assuredly a trailblazing writer.

Geiss Hsu Foundation Postdoctoral Fellowship in Ming Studies

Application deadline: January 15, 2025

Date of posting: November 15, 2024

Call for Applications: Geiss Hsu Foundation Postdoctoral Fellowship in Ming Studies at the University of British Columbia

The University of British Columbia (UBC), Vancouver campus, invites applications for the Geiss Hsu Foundation Postdoctoral Fellowship in Ming Studies, starting September 1, 2025. This two-year fellowship will support a scholar in any discipline who studies the Ming Dynasty or a closely-related field, including research that connects the Ming with other time periods and studies of Ming relations with other regions. The fellow will be housed in and supported by the Department of Asian Studies but may be sponsored by a faculty member in any department.

UBC has a long tradition of advanced training in Ming Studies. The China History research cluster hosts a regular work-in-progress series for scholars of Chinese history, which alternates fortnightly with the Ming & More text-reading group that focuses on primary material in Literary Sinitic from the Ming and other periods and regions. The Centre for Chinese Research, part of the Institute for Asian Research, supports interdisciplinary and public-facing scholarship on China.

Fellowship Terms

The fellowship will run from September 1, 2025 to August 31, 2027. The fellow will receive a salary of $80,000 (all amounts in Canadian dollars) and extended health and dental coverage. Up to $5,000 in relocation costs may be reimbursed. The fellow will also have access to $5,000 in research funds each year. No teaching is required, but fellows are eligible to apply to teach one or more courses in a relevant department at UBC. The fellow is expected to give at least one public presentation about their research and to organize a workshop, small conference, or similar event in the second year of the fellowship. Up to $20,000 will be provided to cover the cost of this event. The Centre for Chinese Research will provide workspace and research assistant support.

For general information about postdoctoral fellowships at UBC, see https://www.postdocs.ubc.ca/.

Selection Criteria

The position is open to scholars who have received their PhD (or equivalent degree such as DPhil) on or before July 1, 2025, or up to five years earlier (not earlier than July 1, 2020), with allowances for career interruptions due to personal circumstances. The degree may be from any recognized institution other than UBC. There is no citizenship requirement, but non-Canadian applicants must be able to meet all immigration requirements to be eligible for employment in Canada. A sufficient command of English is expected.

Application Process

This position was made possible in part by an award from the James P. Geiss and Margaret Y. Hsu Foundation. It is also supported by UBC’s Department of Asian Studies and Centre for Chinese Research.

Contacting a UBC faculty member who can act as a sponsor is highly recommended. Faculty working in Ming studies and adjacent fields include:

  • D. Alison Bailey (Asian Studies)
  • Nam-Lin Hur (Asian Studies)
  • Ross King (Asian Studies)
  • Julia Orell (Art History)
  • Bruce Rusk (Asian Studies)
  • Leo K. Shin (History/Asian Studies)
  • Shoufu Yin (History)

All applications must be submitted via the application form by January 15, 2025. Please provide the following documents:

  • Cover letter
  • Curriculum vitae
  • Research plan (up to five pages, double-spaced)
  • Writing sample (up to 30 pages)
  • Confirmation of PhD (or DPhil), or supervisor/department confirmation of expected completion date
  • Explanation for career interruption (if applicable; up to one page)
  • Names and contact information for three references

Applicants are encouraged to complete the voluntary and anonymous Equity Survey linked at the bottom of this page. Please direct any inquiries to asia.jobsearch@ubc.ca.

Applicants should provide names and contact information for three references willing to submit a confidential letter of recommendation. We will request letters directly once the application is submitted, and referees should send letters to asia.jobsearch@ubc.ca by the application deadline.

Equity and diversity are essential to academic excellence. An open and diverse community fosters the inclusion of voices that have been underrepresented or discouraged. We encourage applications from members of groups that have been marginalized on any grounds enumerated under the B.C. Human Rights Code, including sex, sexual orientation, gender identity or expression, racialization, disability, political belief, religion, marital or family status, age, and/or status as a First Nation, Métis, Inuit, or Indigenous person.

Apply Here | Equity Survey

 

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Passing, Posing, Persuasion: Cultural Production and Coloniality in Japan’s East Asian Empire co-edited by Christina Yi (2023)

Publication title: Passing, Posing, Persuasion: Cultural Production and Coloniality in Japan’s East Asian Empire

Publication year: 2023

Author: Edited by Christina Yi, Andre Haag, and Catherine Ryu

About the book

Passing, Posing, Persuasion interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan’s East Asian empire (1895–1945). Japanese propagandists drew on a pan-Asian rhetoric that sought to persuade colonial subjects to identify with the empire while simultaneously maintaining the distinctions that subjugated them and marking their attempts to self-identify as Japanese as inauthentic, illegitimate forms of “passing” or “posing.” Visions of inclusion encouraged assimilation but also threatened to disrupt the very logic of imperialism itself: If there was no immutable difference between Taiwanese and Japanese subjects, for example, then what justified the subordination of the former to the latter? The chapters emphasize the plurality and heterogeneity of empire, together with the contradictions and tensions of its ideologies of race, nation, and ethnicity.

Embark on a Chinese Language Odyssey: CLP’s Imagine UBC 2023 Extravaganza

Every early September, a remarkable day of discovery awaits as Imagine UBC unveils a world of connections and experiences, where new students unite, professors inspire, and countless pathways to involvement beckon at every turn. 

This year, the Chinese Language Program (CLP) joined forces with other renowned  language programs within the Faculty of Arts at the Asian Studies booth. Together, they aimed to foster a dynamic and inclusive atmosphere, all in celebration of the incredible potential for enhancing the student experience.

Work Learn students and Lecturer Li-Jung Lee (right) welcoming passersby

At the Imagine UBC booth, our dedicated team, including volunteers, Work Learn students, and CLP instructors, kicked off the day by donning traditional Chinese attire, including Qipao and Hanfu. This visually captivating display of culture served as a compelling introduction, inspiring interest in the Chinese language and its rich traditions. Highlighting these elegant outfits not only showcased the beauty of Chinese culture but also piqued students’ curiosity, encouraging them to explore and engage with our language program.

Work Learn students enthusiastically presenting Chinese language courses to the audience

Work Learn students eagerly responding to questions about Chinese language courses

As a wave of inquisitive students flooded into the Buchanan courtyard to discover the Imagine Day booths, the CLP team orchestrated a series of interactive and informative activities. These activities aimed to showcase the enjoyable and engaging facets of learning Chinese. Our dedicated volunteers and instructors were readily available to walk students through the diverse range of curriculum options at their fingertips. Whether they were beginners looking for introductory courses or advanced learners seeking to delve into topics like history, literature, and contemporary issues, students could envision the comprehensive and personalized learning journey that UBC provides to cater to their interests and proficiency levels.

Professor Xiaowen Xu (left) and Lecturer Li-Jung Lee (right) greeting new students

Beyond the course exploration, the event infused an element of enjoyment and engagement. Interactive games and trivia were seamlessly woven into the program, infusing the day with laughter and excitement. Numerous students reconnected with former classmates and engaged in lively conversations with their Chinese instructors, capturing the moments with commemorative photos. These activities not only heightened the event’s overall enjoyment but also underscored the notion that language learning can indeed be a gratifying and fulfilling journey.

Spreading good fortune: Lecturer Xueshun Liu in a red Fortune God outfit strikes a pose with students

Work Learn students in traditional attire engaging with visitors

To help new students envision their future academic and cultural journeys at UBC, we invited former Chinese language learners to share their own experiences.

Samantha Ong, a fourth-year Asian Studies student currently enrolled in CHIN 345, shares her language learning journey. While primarily taking non-heritage courses in the past, Samantha embraces the challenge of stepping outside her comfort zone to achieve new language milestones. She’s excited to push herself and enhance her Chinese language skills in an engaging learning environment.

Throughout the past year, Samantha actively participated in various CLP events and activities as part of her language-learning adventure. These experiences provided unique opportunities for interactions with Chinese speakers, allowing her to fully immerse herself in the rich culture and traditions associated with the language.

Samantha Ong, a 4th-year student majoring in Asian Language and Culture

“I have always felt that the CLP community is a very supportive and close-knit group, so I feel enthusiastic about learning Chinese and comfortable approaching others for help inside and outside the classroom” – Samantha Ong, a student in CHIN 345

Adam Abraham, a History major, reflects on his journey of learning Chinese. His initial motivation stemmed from his study of East Asian history, where he realized that proficiency in the language was essential for immersing himself in the historical and cultural narratives of the region. Adam’s experience demonstrates the transformative power of language education. It equipped him with the linguistic skills necessary to delve deeper into East Asian history and enabled him to actively engage in the diverse and inclusive UBC community.

Adam Abraham, a 4th-year student majoring in History

“Having previously taken Mandarin at UBC for two years, I enjoyed being in a rich environment with an abundance of resources available for students. My language learning experience has given me a larger perspective both linguistically and on the community here at university.” – Adam Abraham, a previous student in CHIN 233

For faculty members like Dr. Yuqing Liu, Lecturer in Chinese Language and Literature, this day offers an early chance to connect with enthusiastic students and reignite their passion for bringing fresh energy into the classrooms. Dr. Liu remarks, “Encountering numerous new faces and witnessing students’ interest in Chinese literature has been truly inspiring throughout the day of Imagine UBC. I eagerly anticipate introducing students to classical Chinese poetry and modern Chinese literature in upcoming terms, with the hope that they will find joy in immersing themselves in fascinating literary works.”

Dr. Yuqing Liu, Lecturer in Chinese Language and Literature

“The Chinese Language Program is like a big family with many excellent WorkLearns, volunteers, and professors who all support each other within this inclusive and welcoming community.” – Dr. Yuqing Liu, Lecturer in Chinese Language and Literature

Imagine UBC set the stage for an electrifying and unforgettable launch of the new academic year at UBC, and the thrill continues unabated. We wholeheartedly invite you to stay attuned to CLP’s forthcoming events, workshops, and resources, all meticulously crafted to keep you actively involved and ensure you extract the utmost from your university journey. There’s a wealth of enriching experiences yet to unfold!

Follow us on IG @ubcchinese for more exciting updates.

Written by Angelia Tu
Photos by Manyi Chen
Recap Video by Molly Liao